Also Credited As:Terrence Dashon Howard
|Actor, Producer, Music|
|Terrence Dashon Howard on March 11, 1969 in Chicago, Illinois, USA|
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Born in Chicago, IL on Mar. 11, 1969 and raised in Cleveland, OH, Howard experienced prejudice at an early age. At age three, Howard entered a department store with his family to see Santa Claus. His mother, Anita Williams, who was wandering around the store, had joined them in line. His dad, Tyrone Howard, being lighter-skinned to the point of appearing white, was accused by Caucasians behind him for allowing "black people" to cut the line. Tyrone declared that the woman was his wife and was content on leaving it at that. But a larger man instigated a fight and started choking him. In self defense, Tyrone grabbed a knife and fatally stabbed his attacker. Ultimately, Tyrone went to jail for manslaughter, leaving his young son to grow up without benefit of being raised by his father. At 19, Howard moved to New York City to become an actor. With no experience and little training, he began hustling his way through auditions, landing a few commercial gigs before pulling off a major coup: conning his way onto "The Cosby Show" (NBC, 1984-1992) by submitting a headshot and résumé with fake credits. The casting director hired him for an episode, but his scenes were significantly cut by Cosby. Full of righteous anger and devoid of common sense, Howard banged on the star's dressing room door and demanded satisfaction. An angry Cosby had him removed from the set and barred from ever returning. Howard's foolish reaction nearly killed the young actor's career before it began.
Howard managed to recover and landed a few guest spots on various shows throughout the early 1990s, including "Family Matters" (ABC/CBS, 1989-1998), "Coach" (ABC, 1989-1997), "New York Undercover" (Fox, 1994-98) and "Living Single" (Fox, 1993-98). While pursuing his acting career, he earned a degree in chemical engineering at Pratt College in case he had any more confrontations with celebrities. Meanwhile, he made his film debut with a bit part as a customer in the lame Ted Demme comedy, "Who's the Man?" (1993), then followed up as the despicable Cowboy in Albert and Allen Hughes' period saga, "Dead Presidents" (1995). Howard earned good notices for his role as a star high school athlete struggling to keep a beat with the marching band in the sugar-coated drama, "Mr. Holland's Opus" (1996). After a couple of small feature roles in "Johns" (1996) and "Sunset Park" (1996), Howard was given a regular role on the UPN sitcom, "Sparks" (1996-98). Unfortunately, the show was canceled after its second season.
After appearances in "The O.J. Simpson Story" (Fox, 1995), "Double Tap" (HBO, 1998) and "Butter" (HBO, 1998), he was in a few episodes of the popular cop drama "NYPD Blue" (ABC, 1993-2005). He was then seen on the big screen in "The Players Club" (1998), a comedy about the goings-on of an Atlanta strip club, starring Ice Cube in his directorial debut. Howard then appeared in "Spark" (1998), a psychological thriller about a black couple stranded in the Southwestern desert. Only those frequenting the festival circuit managed to see it. The following year, Howard was seen in three features: "Valerie Flake," a festival-bound drama about an emotionally-detached woman (Susan Traylor) who, after the death of her husband, embarks on a series of meaningless one-night stands; "Best Laid Plains," a slick neo-noir about a blackmail scheme gone bad; and the aforementioned "Best Man," about a group of friends whose lives have been turned into a book by one of their own.
In 2000, Howard played Cassius Clay in the ABC biopic, "Muhammad Ali: King of the World," which followed "the Greatest" from his drubbing of Sonny Liston to being stripped of his title for refusing to serve in Vietnam. As the new millennium faded into memory, Howard seemed to concentrate more on film than on television. After appearing in the blockbuster comedy "Big Momma's House" (2000), he was seen in the period romance, "Investigating Sex" (2001). A forgettable turn in the unfortunate "Angel Eyes" (2001) was trumped by an appearance in the cringe-inducing Mariah Carey vehicle, "Glitter" (2001). Howard soon returned to form with a touching performance in the World War II drama, "Hart's War" (2002), playing a black officer held in a Nazi prison camp with white soldiers, at a time when segregation was still practiced by the U.S. Army. Howard briefly returned to television, landing a couple of appearances on "Soul Food" (Showtime, 2000-04); an episode of the short-lived "Fastlane" (Fox, 2002-03); and a regular stint as the new head of the Special Offenders unit on "Street Time" (Showtime, 2002-04), a drama about parole officers and their parolees. Returning to features, Howard had a thankfully small part in the dreadful "Biker Boyz" (2003), before a memorable but brief role in the delightful "Ray" (2004), playing Ray Charles' (Jamie Foxx) one-time guitarist, Gossie McKee. Then in "Crash" (2005), a hard-bitten drama about race relations in Los Angeles by writer-director Paul Haggis, Howard played a television director whose fear of challenging a police officer (Matt Dillon) when he molests his wife (Thandie Newton) leads to questioning his pride and what it means to be a black man in a white man's world.
Howard earned good notices for his intense performance in "Crash," as did the rest of the outstanding ensemble cast, but the best was soon to come. He earned near-hysterical acclaim and unrelenting Oscar buzz for his emotionally engaging performance as a pimp wanting to remake his life as a rapper in "Hustle & Flow" (2005), a heartfelt drama from producer John Singleton and writer-director Craig Brewster that won the Audience Award for Best Dramatic Feature at the 2005 Sundance Film Festival. Howard was beset by the press for interviews, which he continued to do months after the festival lowered its tent poles. The film was scheduled for release in July 2005 and was expected to take home a significant share of box office dollars. Sadly, expectations for "Hustle & Flow" proved idealistic, as audiences failed to take the film into its warm embrace. But Howard was honored with major award nominations, including at the Golden Globes and Academy Awards for Best Supporting Actor.
Later in 2005, Howard appeared to good effect in Singleton's revenge drama "Four Brothers" as a police detective who becomes embroiled in a quartet of grown foster children's efforts to solve the murder of their adoptive mother; and he provided an edgy jolt of energy as the cell mate-turned-manager of drug dealer and aspiring rapper Marcus (50 Cent) in the urban drama "Get Rich Or Die Tryin'" (2005). Howard's big 2005 continued with a strong co-starring role opposite Halle Berry in the Oprah Winfrey-produced adaptation of Zora Neale Hurston's novel, "Their Eyes Were Watching God" (ABC, 2005). Howard finished out the year with a fine turn in the much-praised and decorated "Lackawanna Blues" (HBO, 2005), an endearing tale adapted from Ruben Santiago-Hudson's Obie award-winning play about his childhood growing up in a boarding house ran by Nanny Crosby (S. Epatha Merkerson), whose open door and wide open heart allow her struggling borders get a new start on life. Howard played Nanny's drunk and much younger husband, whose loutish behavior stands in stark contrast to her good nature.
By the end of 2005, Howard was a household name and his future was bright. In 2006, he began a season-long hosting gig on the Emmy Award-winning PBS series, "Independent Lens," a showcase for independent filmmakers that introduced a new drama or documentary every episode. After a turn as the right-hand man for a 1930s gangster (Ving Rhames) in "Idlewild" (2006), Howard gave a strong performance as a college-educated man unable to find a job in 1973 who uses his passion for competitive swimming to team up with a kindly janitor (Bernie Mac) to convert an abandoned pool hall into a recreation center. They recruit a motley band of novices from underprivileged areas to form a swim team, but encounter racism, violence and an unsympathetic city on their way toward a state championship. Meanwhile, Howard starred opposite Jodie Foster in "Brave One" (2007), Neil Jordan's thriller about a New York radio host (Foster) who seeks revenge on the men responsible for killing her fiancé.
After closing out the year with a supporting role as a conscientious child counselor in the feel-good drama "August Rush" (2007), Howard began a momentous 2008 with a turn in the surprise smash hit of the spring, "Iron Man" (2008). In the Marvel Comics adaptation, Howard played Col. James "Rhodey" Rhodes, Air Force Pilot and stalwart friend of hot-shot billionaire industrialist Tony Stark, a.k.a. Iron Man (Robert Downey, Jr.). Although Howard's character was strictly second fiddle to the technological marvels of its star, "Iron Man" gave the actor a notable role in a blockbuster feature film, with a hefty paycheck to match. On a career roll, that same year also saw Howard making his Broadway debut in an all-African-American production of Tennessee Williams' Southern gothic "Cat on a Hot Tin Roof," co-starring James Earl Jones and Phylicia Rashad. Unfortunately, the triumph was somewhat diminished when Howard allegedly attacked and injured musical composer Tex Allen - brother of director Debbie Allen - during rehearsals. Allen, whose lip needed several stitches after the dustup, later filed a $5 million suit against Howard for the battery.
It was not the first time the notoriously mercurial actor had been accused of violence, as evidenced by an earlier 2001 incident in which Howard was arrested after breaking into the home of his estranged wife, Lori McCommas, grabbing her arm and punching her in the face with a closed fist. Having divorced in 2003, the fractious couple remarried two years later, only to call it quits again in 2008. With his personal life in disarray, Howard's professional world continued to expand when in late-2008, he released his first music album, the wildly eclectic Shine Through It, featuring nearly a dozen tracks composed by Howard, with occasional numbers in collaboration with Miles Mosley. The new year soon presented Howard a plethora of new projects, including a co-starring turn as an underground fight promoter representing brawler Channing Tatum in "Fighting" (2009) and voice work as the hard-working late father of the titular princess in Disney's return to 2-D animation with the 20th-century fairy tale "The Princess and the Frog" (2009).
One role he would not be taking on again, however, was that of Rhodey, his high-flying character from "Iron Man." Speculation ran rampant as to why Howard was not invited back for "Iron Man 2" (2010) - Don Cheadle would ultimately replace him - although such factors as director Jon Favreau's displeasure with both Howard's on-set behavior and onscreen performance, as well as his agent's reluctance to accept a greatly reduced role (and commensurate salary reduction) in the sequel all appeared to play a role in Howard's sudden departure. Looking to fill the unexpected openings in his work schedule, he signed on to share duties with Alfred Molina on the latest spin-off of the venerable legal procedural drama, "Law & Order" Los Angeles" (NBC, 2010-11). Other work included a pair of independent features - the thriller "The Ledge" (2011) starring Charlie Hunnam and Patrick Wilson, and "Winnie" (2011), in which he portrayed former South African President Nelson Mandela opposite Jennifer Hudson as his complex and charismatic wife.
On the home front, things remained rocky for the acclaimed performer. After barely a year of marriage, Howard and second wife Michelle Ghent parted ways in August 2012 following an acrimonious divorce battle that included allegations of physical abuse leveled by Ghent and Howard's claims that Ghent was an unrepentant racist. More positive press was garnered for his participation in producer George Lucas' visually stunning depiction of World War II's famed African-American squadron, the Tuskegee Airmen, in the aerial action-adventure "Red Tails" (2012). After joining Kristin Stewart, Amy Adams and Viggo Mortensen for an adaptation of Jack Kerouac's "On the Road" (2012), Howard took on the role of an F.B.I. agent chasing down a former political activist wanted since the 1960s in director Robert Redford's "The Company You Keep" (2012), a thriller boasting an all-star cast that included the likes of Redford, Shia LaBeouf, Julie Christie and Susan Sarandon. Howard's next major role came in the White House historical drama "Lee Daniels' The Butler" (2013), but he was involved in a minor PR faux pas months before that film's release. In discussing his love scene with co-star Oprah Winfrey, he jokingly used the coarse spoonerism "tig ol' bitties" to refer to his co-star's ample physical assets. Gossip column shock that he would refer to the beloved Winfrey in such a fashion was defused when Winfrey, in an interview with talk show host Steve Harvey, made light of the actor's public statement by playfully responding "Well, I do have big breasteses." Howard next reprised one of his most popular roles, returning as Quentin Spivey in "The Best Man Holiday" (2013).